Stan Lai and "The Dream of the Red Chamber" Symposia at UCB . Cindy Cox, Shelia Melvin
Cindy Cox , a composer at UCB who is interested in post tonal language and new technologies spoke. She is composing a piece about a Mayan myth. She commented on the "hybridity" of the opera, and asserted that this production is a Western opera, which it is. She sees Bright Sheng having a vivid musical language, with colorful instrumentation. He has a Eurocentric approach and is engaged in text and material; he has to demonstrate metaphysics or "purity" of music, but in the last act the music is fast and dissonant, indicating that love and fate are meant to be corrupted. All that is true from observation this evening...one might expect something more exotic like Puccini's Turnadot , but this is something different... Shelia Melvin gave a great history of opera in China, just what we needed. In 1852 there were 2 performances per day for five months and then the troupe would move to NYC. In the 1870's , in California, 80 percent of the opera was G...