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Showing posts from April, 2016

The New Yorker :"On Trump" Or "trumping Trump" Take a look! '

Nearly all the cartoons in this issue are about Trump, who in a benign way, is best to be perceived as a cartoon.   It will make you feel better to look at these in issue:  April 25, 2016.  See Page 49   It's Still April Fool.  Trump Comes Clean.  "just a Joke, Folks.  All A Big Put On...Amazed anyone believed he was serious. : don't we wish!   Next one:  Page 53. (card players)   "One no-trump. Oh, please, God, no Trump."  p 54  Bar patrons:  "He used to think he was Napoleon -- now he thinks he's Trump.:"   I can related to that; I am seeing Trump people on the sidewalk and everywhere...they are so assertive and aggressive...and empty! p 56 "Joe, what about you?   Would you like to make a face at Mr. Trump?"   p 67  "I thought we agreed that the bedromm is a Trump - free zone"...p. 68  "If Trump becomes President, I don't care how high he builds that wall -- I'm going over it." "  p ...

Sarah Cahill in Berkeley See her; she is a wonder!

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A glance at her spring calendar confirms her passion for contemporary music, and in a recent interview, Cahill said she's eager for audiences to hear the works she'll present on four upcoming programs. Berkeley pianist Sarah Cahill. (CHRISTINE ALICINO) The music begins on April 21, when she'll host "Full: Invent" at the new Berkeley Art Museum. Cahill, who curated a series at the old Berkeley Museum (guests included an eclectic mix, from Riley to the Residents), is assembling a similarly innovative lineup for the "Full" series, which presents events each month on the full moon. "This one features invented instruments," she said. "Paul Dresher is bringing his Quadrachord." Cahill's own performances begin on April 30, when she'll take the stage along with a group of hand-picked artists in "Luciano Chessa: a Retrospective," part of the New Frequencies Festival at the Yerba ...

The New Yorker. A Critic at Large. "Encrypted" Translators confront the supreme enigma of Stephane Mallarme's poetry

This is a lovely article giving new perspectives on Mallarme's relationship to Modernism as well as on translation from french, a very nuanced language,  to English, the language noted for multiple valences.  Alex Ross is a clever writer, starting out by likening the Modernists to explorers, in this instance, "Amundsen"!  Immediately, he has my attention.  The illustration is by Hugo Guinness. Another italicized sub heading is:  " After only a few lines of Mallarme, you are engulfed in fine mist, and terror sets in. " The Scottish poet Peter Manson publishes a collection of translations in 2012(Miami University Press) .  The one cited enploys a swan caught in the ice. " The subsequent sentences are impacted and fractured, the ;jamming together of disconnected images presaging Dadiasim.  " Mallarme also affected the visual artists of his time, having helped to define Impressionism in an 1876 essay; Manet, Whistler, Gauguin, and Renoir made portrait...

The World in a Book: The Nuremberg Chroicle and the Art of German Renaissance Illustration

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The World in a Book: “The Nuremberg Chronicle” and the Art of German Renaissance Illustration January 9, 2016 – May 2, 2016 REVA AND DAVID LOGAN GALLERY OF ILLUSTRATED BOOKS A milestone in the history of publishing, the  Nuremberg Chronicle (Liber Chronicarum)  of 1493  a hugely ambitious book documenting the entire history of the world back to the Creation with a  text by German scholar Hartmann Schedel and an extensive illustration program in woodcuts primarily by Albrecht Durer.   I did my thesis paper in a course on wood block prints in a Museums Studies course at the University of Delaware. My subject was Albrecht Durer, who enjoyed the protection of the King. .  The Achenbach Foundation for Graphic Arts owns a first edition of the  Nuremberg Chronicle —one of approximately 400 surviving copies of the roughly 1,500 published with a Latin text on June 12, 1493—as well as a collection of unbound sheets orphaned from other copie...

Drawing for Color: Bonnard's Late Paintings Guest Lecture by Dita Amory Met Curator of Lehman Coll

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                                                              Dita Amory at the Legion of Honor Notes from her lecture:    The pencil acts as the artist’s eye.  He outlined the entire picture in charcoal.  No, he did not prime the surface(Q/A) .  He painted from photographs.  He painted on a free hanging canvas which he did not stretch until finished; that way he could add more length or width to it.  He often painted from photographs. He had many sketch books (now in Bibliotheque National, Paris) in which he noted color, light, conditions, an in impression in order to capture perceptual data for later paintings. “Sensation” lead to “color tones” through the process of seduction. He sketched with a small stubby pencil.   Brushworks in zones of color.   Activated bru...

The Manila Galleon - Concepion with Bill Mathers and Henry Parker

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The Society for Asian Art held a presentation today by Bill Mathers and Dr. Henry Parker, an oceanographer, about their published book on "Concepcion" the Manila Galleon which was wrecked on the reefs of Saipan in 1638 and found again in 1987 by a group of marine archaeologists.  300 persons had been on board and all but 50 lost their lives; it took two years for the news of the loss of the galleon to reach Spain. The talk focussed on how they came to take on this project, a childhood dream for Mathers, and on their process, of underwater excavations and the finding of sunken Asian treausures and lost galleons.  The effort cost them 1.5 million  and they sold the thousands of objects for 5 million, to the government of the M isalands. The article about this ship is found in the September 1990 National Geographic .  A full archaeological report was made of the find, and the British Museum contracted the results.  Stunning gold objects and beautifully set gems...